Caribbean Studies Series

Traditional, interdisciplinary, and comparative approaches to the politics, history, literature, philosophies, and popular culture of the Caribbean. Series editors: Natasha Barnes, Associate Professor of English at the University of Illinois at Chicago; Anton Allahar, Professor of Sociology at the University of Western Ontario.

Projects in this series will be scholarly works and edited volumes covering politics, history, literary criticism, anthropology, and more broadly cultural studies. In addition to these traditional fields, the series will encourage manuscripts that embody interdisciplinary and comparative approaches to understanding the Caribbean, its history, philosophies, its racial, ethnic, and national identities, political economies, literature, and popular culture including, but not limited to, visual arts, music, religion, and folklore. The series seeks works offering new approaches to the study of migration, diaspora formation, theater, dance and pageantry, gender, sexuality, and history, both written and oral. It also welcomes new critical and biographical works revealing the lives and thoughts of leading Caribbean figures past and present.

The Artistry of Afro-Cuban Bata Drumming: Aesthetics, Transmission, Bonding, and Creativity

Beyond Windrush: Rethinking Postwar Anglophone Caribbean Literature

The Black Carib Wars: Freedom, Survival, and the Making of the Garifuna

The Caribbean Novel since 1945: Cultural Practice, Form, and the Nation-State

Caribbean Visionary: A. R. F. Webber and the Making of the Guyanese Nation

Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean

City Of Islands: Caribbean Intellectuals in New York

Critical Interventions in Caribbean Politics and Theory

Decolonization in St. Lucia: Politics and Global Neoliberalism, 1945-2010

Geographies Of Cubanidad : Place, Race, and Musical Performance in Contemporary Cuba

The Grenada Revolution: Reflections and Lessons

Haiti and the Americas

Island at War: Puerto Rico in the Crucible of the Second World War

The Legacy Of Eric Williams : Into the Postcolonial Moment

The Music of the Netherlands Antilles: Why Eleven Antilleans Knelt before Chopin's Heart

Musical Life in Guyana: History and Politics of Controlling Creativity

Patrick Chamoiseau: A Critical Introduction

People Get Ready: African American and Caribbean Cultural Exchange

Queen of the Virgins: Pageantry and Black Womanhood in the Caribbean

Resisting Paradise: Tourism, Diaspora, and Sexuality in Caribbean Culture

Voice of the Leopard: African Secret Societies and Cuba

What She Go Do: Women in Afro-Trinidadian Music

Wolf Tracks: Popular Art and Re-Africanization in Twentieth-Century Panama


Ret-Con Game: Retroactive Continuity and the Hyperlinking of America   “Retroactive Continuity In The Age of Alternative Facts” by Andrew J. Friedenthal I opened my book Retcon Game: RetroactiveContinuity and the Hyperlinking of America with a quote from George Orwell’s dystopian novel, 1984: “Oceania was at war with Eurasia: therefore Oceania had always been at war with Eurasia.” I

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