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MuzikMafia%3Cbr+%2F%3E+From+the+Local+Nashville+Scene+to+the+National+Mainstream

MuzikMafia
From the Local Nashville Scene to the National Mainstream

By David B. Pruett

192 pages (approx.), 6 x 9 inches, 28 b&w illustrations, 6 maps, discography, videography, index

978-1-60473-438-6 Cloth $25.00S

Cloth, $25.00

How a group of industry outsiders became popular music sensations

In October 2001, an unlikely gathering of musicians calling itself the MuzikMafia took place at the Pub of Love in Nashville, Tennessee. "We had all been beat up pretty good by the 'industry' and we told ourselves, if nothing else, we might as well be playing muzik," explains Big Kenny of Big and Rich. For the next year and a half, the MuzikMafia performed each week and garnered an ever-growing, dedicated fan base.

Five years, several national tours, six Grammy nominations, and eleven million sold albums later, the MuzikMafia now includes a family of artists including founding members Big and Rich, Jon Nicholson, and Cory Gierman along with Gretchen Wilson, Cowboy Troy, James Otto, Shannon Lawson, Damien Horne (Mista D), Two-Foot Fred, Rachel Kice, and several more in development.

This book explores how a set of shared beliefs created a bond that transformed the MuzikMafia into a popular music phenomenon. David B. Pruett examines the artists' coalition from the inside perspective he gained in five years of working with them. Looking at all aspects of the collective, MuzikMafia documents the problems encountered along the ascent, including business difficulties, tensions among members, disagreements with record labels, and miscalculations artists inevitably made before the MuzikMafia unofficially dissolved in 2008. A final section examines hope for the future: the birth of Mafia Nation in 2009.

David B. Pruett, Weymouth, Massachusetts, is an assistant professor of music at the University of Massachusetts at Boston. A native of North Carolina, he has been published in the Encyclopedia of Appalachia, Encyclopedia of Popular Music of the World, Journal of Historical Research in Music Education, and the Country Music Annual.

192 pages (approx.), 6 x 9 inches, 28 b&w illustrations, 6 maps, discography, videography, index